'Bang the Drum All Day' is a 1983 song by Todd Rundgren.
The lyrics describe in first person, the singer's drive to "bang the drum all day" to the exclusion of everything else.
The song has become popular as an anti-work anthem or anthem of celebration.
Bad Manners covered "Bang on the Drum All Day" on their 1983 album, Mental Notes.
The track was also released in the US only on 12 inch format in 1985 with another track from the album entitled 'Saturday Night'.
Click the link below to download the following:
Album Version
Extended Version
Dub Version
Saturday Night - 12 inch Extra Track
Download
Welcome to
Michael's 80s (M80s) Soundtrack for an 80s Generation
Music videos, pictures, mp3s, remixes and 80s fun.
Your no 1 place for 80's nostalgia. Enjoy! : )
To message me michaelmouse1967@yahoo.co.uk
Music videos, pictures, mp3s, remixes and 80s fun.
Your no 1 place for 80's nostalgia. Enjoy! : )
To message me michaelmouse1967@yahoo.co.uk
Links Are Dead - I Know
I keep getting Emails from people asking me to re-upload the links and music etc. I think people are just getting to those particular pages so are not reading the reason for the dead links.
So I am putting this in place so hopefully people will read it and stop Emailing me about it.
The reason the links are dead is that my account with Media Fire has been closed with all 11,000 files lost. That is why you can not download the things and No I can not re-upload them.
Eventually I will start doing that again when I have found something suitable. In the meantime this blog will be information only blog.
Thank you all
Michaael
New Blog Forum
The 80s Music and Fame Media Forum is now open for users to chat, make new friends, leave messages for each other and leave comments on the blog sites. To access it click the link below or use the link in the side bar.
http://www.atfreeforum.com/kidsfromfamemed/
http://www.atfreeforum.com/kidsfromfamemed/
Poll
Showing posts with label 1985. Show all posts
Showing posts with label 1985. Show all posts
Friday, 27 April 2012
Tuesday, 10 April 2012
Jolley And Swain - Soul Street
Steve Jolley (1950) and Tony Swain (January 20, 1952) were a successful pop musician, songwriting and record production duo in the UK in the early to mid-1980s. They produced several hit albums and singles for Imagination, Bananarama, Spandau Ballet and Alison Moyet.
In 1985 they decided to release a single of their own, the instrumental track 'Soul street'. It sounds a lot like the music of the aforementioned bands. The single was taken from the album 'Backtrackin', also released in 1985.
They continued to produce artists like Diana Ross, Tom Robinson and Wang Chung, until they split up in 1987.
After splitting up Swain went on to produce Kim Wilde's million-selling "Close" album. Jolley set up a record label under his surname. Swain is now A and R manager at Universal Revords.
Click the link below to download the following
Single Version
Dance Mix
Autumn Leaves - B-Side
Download
In 1985 they decided to release a single of their own, the instrumental track 'Soul street'. It sounds a lot like the music of the aforementioned bands. The single was taken from the album 'Backtrackin', also released in 1985.
They continued to produce artists like Diana Ross, Tom Robinson and Wang Chung, until they split up in 1987.
After splitting up Swain went on to produce Kim Wilde's million-selling "Close" album. Jolley set up a record label under his surname. Swain is now A and R manager at Universal Revords.
Click the link below to download the following
Single Version
Dance Mix
Autumn Leaves - B-Side
Download
Wednesday, 4 April 2012
General Public – Hot You're Cool
'Hot Your Cool' appeared on the album 'All The rage' and was a dance hit in the US in 1985.
In the US it was released as a promo 12 inch and became a big hit on the US Dance Charts making it to number 16.
Click the link below to download the following:
Cool Side
Hot Side
Download
In the US it was released as a promo 12 inch and became a big hit on the US Dance Charts making it to number 16.
Click the link below to download the following:
Cool Side
Hot Side
Download
Friday, 24 February 2012
Icehouse - No Promises
'No Promises' is the first single released by Australian band, Icehouse from the band's 1986 album, Measure for Measure and was released in November 1985 on Regular Records.
The single peaked at number 30 on the Australian singles charts, number 72 on the UK singles Charts and number 79 on the US Billboard Hot 100.
A remix version by [love] tatto was released on the Icehouse album Meltdown in 2002. Dieter Trattmann directed the second version of the video.
Click the link below to download the following:
Video
Single Version
12 inch Club Mix
Instrumental Version
Original Etended Version
The Perfect Crime - B-Side
http://www.mediafire.com/?udwx3blb71sd5
The single peaked at number 30 on the Australian singles charts, number 72 on the UK singles Charts and number 79 on the US Billboard Hot 100.
A remix version by [love] tatto was released on the Icehouse album Meltdown in 2002. Dieter Trattmann directed the second version of the video.
Click the link below to download the following:
Video
Single Version
12 inch Club Mix
Instrumental Version
Original Etended Version
The Perfect Crime - B-Side
http://www.mediafire.com/?udwx3blb71sd5
Wednesday, 22 February 2012
Arcadia - Election Day
'Election Day' was the first single released by the Duran Duran off-shoot band, Arcadia.
It was released by Parlophone Records in October 1985 and subsequently hit the top ten on both sides of the Atlantic, peaking at number 6 in the US and number 7 in the UK, but was the most successful in Ireland, peaking at number 5 and in Italy, peaking at number 1 (also reaching the Top 25 in Germany).
Along with the Arcadia members, 'Election Day' features Grace Jones on vocals and speech
The dark and moody video — with Gothic imagery inspired by Jean Cocteau's 1946 film, La Belle et la BĂȘte — was shot in and around Paris in late September 1985. It was directed by Roger Christian. There was a short cameo appearance by William S. Burroughs. A documentary film was made on the filming and production of the music video
Clicl the link below to download the following:
Short Video Version
Full Length Video Version
Single Version
Concensus Mix
Cryptic Cut No Voice Mix
Early Rough Mix
She's Moody And Grey, She's Mean and She's Restless - B-Side
http://www.mediafire.com/?mmg2bukkjrd2e
It was released by Parlophone Records in October 1985 and subsequently hit the top ten on both sides of the Atlantic, peaking at number 6 in the US and number 7 in the UK, but was the most successful in Ireland, peaking at number 5 and in Italy, peaking at number 1 (also reaching the Top 25 in Germany).
Along with the Arcadia members, 'Election Day' features Grace Jones on vocals and speech
The dark and moody video — with Gothic imagery inspired by Jean Cocteau's 1946 film, La Belle et la BĂȘte — was shot in and around Paris in late September 1985. It was directed by Roger Christian. There was a short cameo appearance by William S. Burroughs. A documentary film was made on the filming and production of the music video
Clicl the link below to download the following:
Short Video Version
Full Length Video Version
Single Version
Concensus Mix
Cryptic Cut No Voice Mix
Early Rough Mix
She's Moody And Grey, She's Mean and She's Restless - B-Side
http://www.mediafire.com/?mmg2bukkjrd2e
Friday, 17 February 2012
Meri D. Marshall - Obsession - Album
Well yesterday I put up the single by Meri D. Marshall entitled 'Obsession'. This single was taken from her debut album 'Obsession'.
Never found out if this ever charted anywhere, in anycase a good album.
Tracklisting:
01 - My Obsession
02 - The Goodbye
03 - Tried To Be A Man
04 - Haunt You
05 - Circles
06 - We Stand Alone
07 - I'm thu With Him
08 - Watcha Gonna do
09 - Feel Like I'm Fallin'
10 - Tears
http://www.mediafire.com/?x3hi77mjp4j52
Never found out if this ever charted anywhere, in anycase a good album.
Tracklisting:
01 - My Obsession
02 - The Goodbye
03 - Tried To Be A Man
04 - Haunt You
05 - Circles
06 - We Stand Alone
07 - I'm thu With Him
08 - Watcha Gonna do
09 - Feel Like I'm Fallin'
10 - Tears
http://www.mediafire.com/?x3hi77mjp4j52
Thursday, 16 February 2012
Meri D Marshall - Obsession
This 1985 debut single is by Meri D. (Meredith) Marshall.
Released from her album of the same name the single was produced and arranged by Bob Parr and written by Parr and Carol Parks.
It's mixed by Greg Penny and Parr. Backing vocals are provided by Tommy Funderburk, Tom Kelly, Carol Parks and Tyana Parr.
This tune is great Hi-nrg and could almost be classified as Italo-Disco.
Click the link below to download the following:
Video
12 inch Version
Instrumental Version
Hot Tracks Mix
Disconet Remix Version
http://www.mediafire.com/?a4lfjtyxye1ro
Released from her album of the same name the single was produced and arranged by Bob Parr and written by Parr and Carol Parks.
It's mixed by Greg Penny and Parr. Backing vocals are provided by Tommy Funderburk, Tom Kelly, Carol Parks and Tyana Parr.
This tune is great Hi-nrg and could almost be classified as Italo-Disco.
Click the link below to download the following:
Video
12 inch Version
Instrumental Version
Hot Tracks Mix
Disconet Remix Version
http://www.mediafire.com/?a4lfjtyxye1ro
Wednesday, 15 February 2012
Whitney Houston - How Will I Know
'How Will I Know' is a song recorded by American recording artist Whitney Houston for her debut album, entitled Whitney Houston, which was released in February 1985.
It was released by Arista Records in November that year, as the album's third single. Composed by George Merrill and Shannon Rubicam, the song was originally intended for Janet Jackson, but she passed on it. Houston then recorded the song with altered lyrics and production from Narada Michael Walden. An up-tempo dance song, the lyrics speak about the protagonist trying to decide if a boy she likes will ever like her back.
'How Will I Know' received mainly positive reviews. The song became Houston's second number one single on the United States Billboard Hot 100. It spent two weeks atop the chart and also became Houston's first chart topper on the Canadian RPM Singles Chart. The 12 inch remixed dance / club version by John "Jellybean" Benitez entered the Hot Dance Club Play charts at number thirty and later peaked at number three on the February 22, 1986.
In other regions, the song was successful, reaching the top ten in in Sweden, Norway, and United Kingdom and the top twenty in the Netherlands, New Zealand, and Switzerland.
The song's music video features scenes of Houston dancing in a strikingly designed setting of video screens and colored partitions. The music video gave Houston exposure to the teens and MTV, a feat which the black artists had traditionally found tough to achieve. It also received nominations at the 1986 MTV Video Music Awards in the categories of Best Female Video and Best New Artist in a Video, winning the former category. The song has been performed on many of her tours including Greatest Love Tour (1986) and her recent Nothing but Love World Tour (2009–10).
'How Will I Know' is also featured as a remix on Houston's compilation album, Whitney: The Greatest Hits (2000), whereas the original version is featured on The Ultimate Collection (2007).
'How Will I Know' was released by Arista Records in November 1985 as the third single from Houston's self-titled debut. It debuted at number sixty on the US Billboard Hot 100, on the December 7, 1985 issue. Nine weeks later, it peaked at number one on the issue dated February 15, 1986, becoming Houston's second number one single in the US.
The song performed well in other countries. In United Kingdom, the song debuted at number thirty-six, on the week dated January 25, 1986, and later peaked at a position of number five. It was also certified Silver by British Phonographic Industry (BPI). In New Zealand, the song debuted at number thirty-five on the Singles chart and later peaked at number nineteen. In Austria, the song reached a peak position of number twenty-eight, while reaching a peak of number twelve in the Netherlands. The song also reached number two in Norway and Sweden, while charting at number eleven in Switzerland. According to Allmusic, 'How Will I Know' has sold about one million copies worldwide.
Click the link below to download the following:
Video
Single Version
Dance Remix
Someone For Me - B-Side
Someone For Me - Extended Version
http://www.mediafire.com/?ua4stzl7binm0
It was released by Arista Records in November that year, as the album's third single. Composed by George Merrill and Shannon Rubicam, the song was originally intended for Janet Jackson, but she passed on it. Houston then recorded the song with altered lyrics and production from Narada Michael Walden. An up-tempo dance song, the lyrics speak about the protagonist trying to decide if a boy she likes will ever like her back.
'How Will I Know' received mainly positive reviews. The song became Houston's second number one single on the United States Billboard Hot 100. It spent two weeks atop the chart and also became Houston's first chart topper on the Canadian RPM Singles Chart. The 12 inch remixed dance / club version by John "Jellybean" Benitez entered the Hot Dance Club Play charts at number thirty and later peaked at number three on the February 22, 1986.
In other regions, the song was successful, reaching the top ten in in Sweden, Norway, and United Kingdom and the top twenty in the Netherlands, New Zealand, and Switzerland.
The song's music video features scenes of Houston dancing in a strikingly designed setting of video screens and colored partitions. The music video gave Houston exposure to the teens and MTV, a feat which the black artists had traditionally found tough to achieve. It also received nominations at the 1986 MTV Video Music Awards in the categories of Best Female Video and Best New Artist in a Video, winning the former category. The song has been performed on many of her tours including Greatest Love Tour (1986) and her recent Nothing but Love World Tour (2009–10).
'How Will I Know' is also featured as a remix on Houston's compilation album, Whitney: The Greatest Hits (2000), whereas the original version is featured on The Ultimate Collection (2007).
'How Will I Know' was released by Arista Records in November 1985 as the third single from Houston's self-titled debut. It debuted at number sixty on the US Billboard Hot 100, on the December 7, 1985 issue. Nine weeks later, it peaked at number one on the issue dated February 15, 1986, becoming Houston's second number one single in the US.
The song performed well in other countries. In United Kingdom, the song debuted at number thirty-six, on the week dated January 25, 1986, and later peaked at a position of number five. It was also certified Silver by British Phonographic Industry (BPI). In New Zealand, the song debuted at number thirty-five on the Singles chart and later peaked at number nineteen. In Austria, the song reached a peak position of number twenty-eight, while reaching a peak of number twelve in the Netherlands. The song also reached number two in Norway and Sweden, while charting at number eleven in Switzerland. According to Allmusic, 'How Will I Know' has sold about one million copies worldwide.
Click the link below to download the following:
Video
Single Version
Dance Remix
Someone For Me - B-Side
Someone For Me - Extended Version
http://www.mediafire.com/?ua4stzl7binm0
Tuesday, 14 February 2012
Alexander O'Neal - If You Were Here Tonight
'If You Were Here Tonight' was Alexander O'Neal's first successful hit in the UK, reaching number 13 in the UK Singles Chart and also his second R&B hit, reaching #17 in the Hot R and B/Hip-Hop Songs chart.
It is featured on his self-titled 1st album along with two other R and B hits, 'Innocent' and 'What's Missing'. The song is known for its non-rhyming lyrics.
Click the link below to download the following:
Video
Single Version
Slow Mix Version
What's Missing - 12 inch Extra Track
http://www.mediafire.com/?co031q0y5185p
It is featured on his self-titled 1st album along with two other R and B hits, 'Innocent' and 'What's Missing'. The song is known for its non-rhyming lyrics.
Click the link below to download the following:
Video
Single Version
Slow Mix Version
What's Missing - 12 inch Extra Track
http://www.mediafire.com/?co031q0y5185p
Monday, 13 February 2012
Whitney Houston - Thinking About You
'Thinking About You' is a song by R and B /pop singer Whitney Houston released in the US Only in 1985.
The single was taken from Houston's self-titled debut album Whitney Houston.
The single made it ot number 10 in the US R and B charts and number 24 in the US Hot Dance Club Chart.
Click the link below to download the following:
Single Version
Dub Version
Extended Dance Version
Someone For Me - B-Side
http://www.mediafire.com/?m62f9iifhsk5k
The single was taken from Houston's self-titled debut album Whitney Houston.
The single made it ot number 10 in the US R and B charts and number 24 in the US Hot Dance Club Chart.
Click the link below to download the following:
Single Version
Dub Version
Extended Dance Version
Someone For Me - B-Side
http://www.mediafire.com/?m62f9iifhsk5k
Friday, 10 February 2012
Philip Oakey and Giorgio Moroder - Be My Love Now
'Be My Lover Now' is a song by the British singer and composer Philip Oakey and producer Giorgio Moroder.
It was written by Oakey and Moroder and recorded for the album Philip Oakey and Giorgio Moroder.
It was released as a single in the UK in August 1985 where it reached number 74 in the singles charts and remained in the charts for 1 week.
It was the third and final single to be released from the brief Oakey/Moroder partnership which had started with the single 'Together in Electric Dreams'.
Because the single was not a huge success and neither was the album, it effectively ended the short lived partnership between Oakey and Moroder in 1985. Oakey returned to work with his band, The Human League, full time.
The Music Video for 'Be My Lover Now' was much less extravagant than the high budget video for the previous single 'Good-Bye Bad Times'. It borrows heavily from Robert Palmer’s 'Addicted to Love' and Stock Aitken and Waterman music videos of 1985.
The video has a surreal theme and features Philip Oakey performing on stage in an ornate theatre, with 3 female backing singers/dancers and two female podium dancers either side of the stage who are dressed identically. To an audience of identical blue dress wearing female 'clones' in their 30s/ 40s who are competing for Oakey's attention.
Click the link below to download the following:
Video
Single Version
Instrumental Version
http://www.mediafire.com/?y81cpmxbtdedh
It was written by Oakey and Moroder and recorded for the album Philip Oakey and Giorgio Moroder.
It was released as a single in the UK in August 1985 where it reached number 74 in the singles charts and remained in the charts for 1 week.
It was the third and final single to be released from the brief Oakey/Moroder partnership which had started with the single 'Together in Electric Dreams'.
Because the single was not a huge success and neither was the album, it effectively ended the short lived partnership between Oakey and Moroder in 1985. Oakey returned to work with his band, The Human League, full time.
The Music Video for 'Be My Lover Now' was much less extravagant than the high budget video for the previous single 'Good-Bye Bad Times'. It borrows heavily from Robert Palmer’s 'Addicted to Love' and Stock Aitken and Waterman music videos of 1985.
The video has a surreal theme and features Philip Oakey performing on stage in an ornate theatre, with 3 female backing singers/dancers and two female podium dancers either side of the stage who are dressed identically. To an audience of identical blue dress wearing female 'clones' in their 30s/ 40s who are competing for Oakey's attention.
Click the link below to download the following:
Video
Single Version
Instrumental Version
http://www.mediafire.com/?y81cpmxbtdedh
Wednesday, 8 February 2012
Philip Oakey and Giorgio Moroder - Goodbye Bad Time
'Good-Bye Bad Times' is a song by the British singer and composer Philip Oakey and producer Giorgio Moroder.
It was written by Oakey and Moroder and recorded for the album Philip Oakey and Giorgio Moroder.
Released as a single in the UK in June 1985 as the follow-up to Oakey and Moroder's 1984 hit 'Together In Electric Dreams'; it reached number 44 in the singles charts and remained in the charts for 5 weeks.
Virgin records had high expectations for the single but it failed to sell in the quantities forecast. Because the single was not a huge success, it didn't do much to promote the album. After a final single 'Be My Lover Now' the short partnership between Oakey and Moroder effectively ended. Oakey then returned to work with his band The Human League full time.
The music video for 'Good-Bye Bad Times' was quite a high budget production as Virgin Records had high expectations for the song after the huge international success of 'Together in Electric Dreams'. It was filmed in black and white, directed by Steve Barron and has a Victoriana theme. It is set in 19th century London and features unrequited love between a city gent and a pretty working class girl. Oakey features inset in the early scenes and later as a singer in the background of a Music hall dressed in Victorian attire. A paradox of the video is that the modern music is completely at odds with the scenery and story board.
Click the link below to download the following:
Video
Single Version
Instrumental Version
http://www.mediafire.com/?uzpsyavdkb2au
It was written by Oakey and Moroder and recorded for the album Philip Oakey and Giorgio Moroder.
Released as a single in the UK in June 1985 as the follow-up to Oakey and Moroder's 1984 hit 'Together In Electric Dreams'; it reached number 44 in the singles charts and remained in the charts for 5 weeks.
Virgin records had high expectations for the single but it failed to sell in the quantities forecast. Because the single was not a huge success, it didn't do much to promote the album. After a final single 'Be My Lover Now' the short partnership between Oakey and Moroder effectively ended. Oakey then returned to work with his band The Human League full time.
The music video for 'Good-Bye Bad Times' was quite a high budget production as Virgin Records had high expectations for the song after the huge international success of 'Together in Electric Dreams'. It was filmed in black and white, directed by Steve Barron and has a Victoriana theme. It is set in 19th century London and features unrequited love between a city gent and a pretty working class girl. Oakey features inset in the early scenes and later as a singer in the background of a Music hall dressed in Victorian attire. A paradox of the video is that the modern music is completely at odds with the scenery and story board.
Click the link below to download the following:
Video
Single Version
Instrumental Version
http://www.mediafire.com/?uzpsyavdkb2au
Monday, 6 February 2012
Various– One Pound Ninety-Nine - Album
Beggars Banquet Label released a various album in 1985 entitled 'Various – One Pound Ninety-Nine - A Music Sampler Of The State Of Things'
The album showcased a range of artists that were signed to the label with the price of the aalbum being the £1.99.
A good collection and introduction to some great ands.
Tracklisting:
01 - The Icicle Works - Perambulator
02 - Peter Murphy - The Light Pours Out Of Me
03 - Gene Loves Jezebel - Worth Waiting For
04 - John Cale - The Sleeper
05 - Love And Rockets - Haunted When The Minutes Drag
06 - The Ramones - Bonzo Goes The Bitburg
07 - The Cult - Nirvana
08 - The Fall - Spoilt Victorian Child
09 - Nico - Win A Few
10 - Bauhaus - She's In Parties
11 - The Bolshoi - Fly
12 - The Hank Wangford Band - Never Wear Mascara
Click the link below to download the album:
http://www.mediafire.com/?tfz8jhb8pphhe
The album showcased a range of artists that were signed to the label with the price of the aalbum being the £1.99.
A good collection and introduction to some great ands.
Tracklisting:
01 - The Icicle Works - Perambulator
02 - Peter Murphy - The Light Pours Out Of Me
03 - Gene Loves Jezebel - Worth Waiting For
04 - John Cale - The Sleeper
05 - Love And Rockets - Haunted When The Minutes Drag
06 - The Ramones - Bonzo Goes The Bitburg
07 - The Cult - Nirvana
08 - The Fall - Spoilt Victorian Child
09 - Nico - Win A Few
10 - Bauhaus - She's In Parties
11 - The Bolshoi - Fly
12 - The Hank Wangford Band - Never Wear Mascara
Click the link below to download the album:
http://www.mediafire.com/?tfz8jhb8pphhe
Friday, 3 February 2012
Anne Clark - Pressure Points - Album
Anne Clark released her 4th studio album in 1985 entitled 'Pressure Points'
The album is basically early 80s electro/synth music with Anne Clark singing peotry like lyrics over the top. It was created in collaboration with John Foxx, who wrote the music and plays on the first five tracks.
Tracklisting:
01 - Heaven
The album is basically early 80s electro/synth music with Anne Clark singing peotry like lyrics over the top. It was created in collaboration with John Foxx, who wrote the music and plays on the first five tracks.
Tracklisting:
01 - Heaven
02 - Red Sands
03 - Alarm Call
04 - Tide
05 - The Interruption
06 - The Power Game
07 - World Without Warning
08 - Bursting
09 - Lovers Retreat
Click the link below to download the album:
http://www.mediafire.com/?bkuy6bb7j23t3
Click the link below to download the album:
http://www.mediafire.com/?bkuy6bb7j23t3
Thursday, 2 February 2012
Liquid Generation - I Love You
Well here is another example of buying a single for the cover alone.
I Don't remember anything about the band so went looking on the net and could not find anything about them either.
Still not a bad single so I hope you all enjoy.
Click the link below to download the following:
Single Version
Quater To Zen - B-Side
http://www.mediafire.com/?nkus83l0zm8bs
I Don't remember anything about the band so went looking on the net and could not find anything about them either.
Still not a bad single so I hope you all enjoy.
Click the link below to download the following:
Single Version
Quater To Zen - B-Side
http://www.mediafire.com/?nkus83l0zm8bs
Thursday, 22 December 2011
Slade - Merry Christmas Everybody
'Merry Xmas Everybody' is a 1973 song by the English rock band Slade. Written by lead vocalist and guitarist Noddy Holder and bassist Jim Lea, and produced by Chas Chandler, it was the band's sixth number-one single in the UK. It earned the UK Christmas Number One slot in December 1973, beating another Christmas-themed song, Wizzard's 'I Wish It Could Be Christmas Everyday', which reached fourth place. By mid-January it was still at number one; it stayed in the UK Singles Chart well into February 1974.
Based on melodies from discarded songs written six years before, 'Merry Xmas Everybody' was Slade's best-selling single, released at the peak of their popularity, and sold over a million copies upon its first release. It is Slade's last number-one single, but by far their most successful. It has been released during every decade since 1973, and has been covered by numerous artists. In a 2007 poll, 'Merry Xmas Everybody' was voted the UK's most popular Christmas song.
The single was certified UK Platinum by BPI in December 1980.
According to the Fan Club Newsletter for January and February 1974, the album was rewarded a Silver Disc for pre-order sales, even before the single's release. Within the first week of release, the single had sold 500,000 copies.
Also, according to the same newsletter, 'Merry Xmas Everybody' was in such big demand that Polydor records had to make special arrangements to have 250,000 discs sent from Los Angeles, as well as 30,000 copies a day they were receiving from Germany.
By 1973 Slade were one of the most popular bands in Britain, having achieved two number one singles—'Cum On Feel The Noize' and 'Skweeze Me Pleeze Me'—in three months. These singles had both entered the charts straight at number one, a rare feat at the time as this was the first occurrence since The Beatles hit number one in 1969 with Get Back.
The band and their record company, Polydor, decided to produce a Christmas hit. For inspiration Slade members Noddy Holder and Jim Lea looked at previous material they had written. Lea recalled a melody and verse he came up with while showering, and Holder recalled a song he had discarded in 1967, which he had written when the band were named the N'Betweeners. It was entitled 'Buy Me a Rocking Chair', and was Holder's first solo work. Holder used the melody of this song for the chorus, and Lea's melody became the verse. After an evening out drinking, Holder worked through the night at his mother's house in Walsall to write the lyrics, which he completed in one draft. In a 2007 interview with the Daily Mail, he spoke about the song's creation:
"We'd decided to write a Christmas song and I wanted to make it reflect a British family Christmas. Economically, the country was up the creek. The miners had been on strike, along with the grave-diggers, the bakers and almost everybody else. I think people wanted something to cheer them up – and so did I. That's why I came up with the line 'Look To The Future Now It's Only Just Begun'. Once I got the line 'Does Your Granny Always Tell You That The Old Ones Are The Best', I knew I'd got a right cracker on my hands."
The song was recorded in the late summer of 1973, during Slade's east coast US tour. Despite its association with the British working class, it was actually recorded at the Record Plant in New York, where, in an adjoining studio, musician John Lennon was working on his album Mind Games. Lennon planned to use a harmonium, which Slade's producer Chas Chandler decided the song needed. 'Merry Xmas Everybody' took five days to finish, but the band disliked the first completed version. It ended up being rerecorded, with the corridor outside used to record the chorus, as it provided an appropriate echo.
Before its release, 'Merry Xmas Everybody' received about half a million advance orders. 350,000 copies were bought upon its release on 7 December 1973. On 15 December it became the third song by Slade to enter the UK Singles Chart at number one (all in 1973) and the sixth number one of their career, and became the fastest selling single in the UK. Polydor, Slade's record label, were forced to use their French pressing plant to keep up with the demand, and the song eventually went on to sell over one million copies, becoming the Christmas number one of 1973, beating another Christmas-themed song, 'I Wish It Could Be Christmas Everyday' by Wizzard. 'Merry Xmas Everybody' remained number one until mid-January, and stayed in the charts for a total of nine weeks. That it remained in the charts after Christmas caused confusion for Holder, who wondered why people continued to buy it.
For the fan club newsletter in 1979, Jim Lea spoke of the b-side 'Don't Blame Me', 'Don't Blame Me' was a time-filler, I think that it was created as that. When it was used as a b-side, we didn't even know it was being used, it was chosen by the offices. We were in America recording the Christmas single, there was a rush to choose what to put on the back of it, and that track happened to be used."
No promotional video was created for the single. Bassist/co-writer Lea stated that no film was needed for the single as the band absolutely blitzed the T.V. over Christmas, appearing on shows as bizarre as 'The Lee Dawson Christmas Show'. Lea remembered that on the Tuesday that the single went straight to number one in the charts, the band were filming the 'Lift Off' TV show in Manchester. Apparently the band drove around the streets of the city to check that they were number one before arriving at the studios. When they arrived, Roy Wood's girlfriend of the time Ayshea Brough, said that the next few weeks would be interesting to see who had the Christmas number one out of Slade, Wizzard and Elton John. Slade then surprised her by saying that they were there already.
Click the lin below to download the following:
TV Performance
Single Version
1985 12 inch Extended Version
Don't Blame Me - Original B-Side
Come On Feel The Noize - 2006 Re-release B-Side
http://www.mediafire.com/?i2ekplg2dkpap
Based on melodies from discarded songs written six years before, 'Merry Xmas Everybody' was Slade's best-selling single, released at the peak of their popularity, and sold over a million copies upon its first release. It is Slade's last number-one single, but by far their most successful. It has been released during every decade since 1973, and has been covered by numerous artists. In a 2007 poll, 'Merry Xmas Everybody' was voted the UK's most popular Christmas song.
The single was certified UK Platinum by BPI in December 1980.
According to the Fan Club Newsletter for January and February 1974, the album was rewarded a Silver Disc for pre-order sales, even before the single's release. Within the first week of release, the single had sold 500,000 copies.
Also, according to the same newsletter, 'Merry Xmas Everybody' was in such big demand that Polydor records had to make special arrangements to have 250,000 discs sent from Los Angeles, as well as 30,000 copies a day they were receiving from Germany.
By 1973 Slade were one of the most popular bands in Britain, having achieved two number one singles—'Cum On Feel The Noize' and 'Skweeze Me Pleeze Me'—in three months. These singles had both entered the charts straight at number one, a rare feat at the time as this was the first occurrence since The Beatles hit number one in 1969 with Get Back.
The band and their record company, Polydor, decided to produce a Christmas hit. For inspiration Slade members Noddy Holder and Jim Lea looked at previous material they had written. Lea recalled a melody and verse he came up with while showering, and Holder recalled a song he had discarded in 1967, which he had written when the band were named the N'Betweeners. It was entitled 'Buy Me a Rocking Chair', and was Holder's first solo work. Holder used the melody of this song for the chorus, and Lea's melody became the verse. After an evening out drinking, Holder worked through the night at his mother's house in Walsall to write the lyrics, which he completed in one draft. In a 2007 interview with the Daily Mail, he spoke about the song's creation:
"We'd decided to write a Christmas song and I wanted to make it reflect a British family Christmas. Economically, the country was up the creek. The miners had been on strike, along with the grave-diggers, the bakers and almost everybody else. I think people wanted something to cheer them up – and so did I. That's why I came up with the line 'Look To The Future Now It's Only Just Begun'. Once I got the line 'Does Your Granny Always Tell You That The Old Ones Are The Best', I knew I'd got a right cracker on my hands."
The song was recorded in the late summer of 1973, during Slade's east coast US tour. Despite its association with the British working class, it was actually recorded at the Record Plant in New York, where, in an adjoining studio, musician John Lennon was working on his album Mind Games. Lennon planned to use a harmonium, which Slade's producer Chas Chandler decided the song needed. 'Merry Xmas Everybody' took five days to finish, but the band disliked the first completed version. It ended up being rerecorded, with the corridor outside used to record the chorus, as it provided an appropriate echo.
Before its release, 'Merry Xmas Everybody' received about half a million advance orders. 350,000 copies were bought upon its release on 7 December 1973. On 15 December it became the third song by Slade to enter the UK Singles Chart at number one (all in 1973) and the sixth number one of their career, and became the fastest selling single in the UK. Polydor, Slade's record label, were forced to use their French pressing plant to keep up with the demand, and the song eventually went on to sell over one million copies, becoming the Christmas number one of 1973, beating another Christmas-themed song, 'I Wish It Could Be Christmas Everyday' by Wizzard. 'Merry Xmas Everybody' remained number one until mid-January, and stayed in the charts for a total of nine weeks. That it remained in the charts after Christmas caused confusion for Holder, who wondered why people continued to buy it.
For the fan club newsletter in 1979, Jim Lea spoke of the b-side 'Don't Blame Me', 'Don't Blame Me' was a time-filler, I think that it was created as that. When it was used as a b-side, we didn't even know it was being used, it was chosen by the offices. We were in America recording the Christmas single, there was a rush to choose what to put on the back of it, and that track happened to be used."
No promotional video was created for the single. Bassist/co-writer Lea stated that no film was needed for the single as the band absolutely blitzed the T.V. over Christmas, appearing on shows as bizarre as 'The Lee Dawson Christmas Show'. Lea remembered that on the Tuesday that the single went straight to number one in the charts, the band were filming the 'Lift Off' TV show in Manchester. Apparently the band drove around the streets of the city to check that they were number one before arriving at the studios. When they arrived, Roy Wood's girlfriend of the time Ayshea Brough, said that the next few weeks would be interesting to see who had the Christmas number one out of Slade, Wizzard and Elton John. Slade then surprised her by saying that they were there already.
Click the lin below to download the following:
TV Performance
Single Version
1985 12 inch Extended Version
Don't Blame Me - Original B-Side
Come On Feel The Noize - 2006 Re-release B-Side
http://www.mediafire.com/?i2ekplg2dkpap
Thursday, 15 December 2011
Mud - Lonely This Christmas
'Lonely This Christmas' was a popular single by the English glam rock band Mud, that topped the UK singles chart in 1974 and reached Christmas number one.
The song is noted for a memorable performance on Top of the Pops in which guitarist Rob Davis was covered in tinsel and wore Christmas baubles as earrings, while vocalist Les Gray sang to a ventriloquist's dummy.
In 1985 the single was released as a 12 inch with an extra track.
Click the link below to download the following:
Performance
Single Version
I Can't Stand It - B-Side
The Cat Crept In - 1985 12 inch Extra Track
http://www.mediafire.com/?jcaecm3ejvj0v
The song is noted for a memorable performance on Top of the Pops in which guitarist Rob Davis was covered in tinsel and wore Christmas baubles as earrings, while vocalist Les Gray sang to a ventriloquist's dummy.
In 1985 the single was released as a 12 inch with an extra track.
Click the link below to download the following:
Performance
Single Version
I Can't Stand It - B-Side
The Cat Crept In - 1985 12 inch Extra Track
http://www.mediafire.com/?jcaecm3ejvj0v
Monday, 12 December 2011
Sheila E - Sister Fate
'Sister Fate' was the first single to be released from Sheila E.'s second album Romance 1600, released four weeks before the album.The single contained an edit (removing an instrumental coda), an extended version, and an instrumental version of the track.
The 12" single included a previously-unreleased track, 'Save The People', which contained no input by Prince. The single was released in the US, Canada and Germany.
The single did not enter the US Billboard Pop Chart, but reached number 36 on the Billboard Black Chart.
Prince appeared in the Sister Fate video promoting the single, although his appearance was taken directly from the Raspberry Beret video, and did not contain any new footage.
Click the link below to download the following:
Video
Extended Version
Save The People - B-Side
http://www.mediafire.com/?bqq7t2ooc4sai
Monday, 21 November 2011
Laura Branigan - Hold Me - Album
'Hold Me' is the fourth album by the singer Laura Branigan, released in 1985 on Atlantic Records.The lead single from Branigan's fourth album, 'Spanish Eddie', was her sixth top 40 hit in two and a half years, although it failed to enter the top 20.
The following single release, 'Hold Me', was a top 40 dance hit and her introduction of the rock ballad 'I Found Someone' (co-written by Michael Bolton) reached even higher on the AC chart.
Despite the weak sales, the album has many of her fan-favourite songs. Not only did she continue to perform 'Spanish Eddie' in concerts throughout her career, but she began a life-long tradition of closing every show with an encore of 'Forever Young', the ballad that was made a cult hit by German band Alphaville.
Traclisting:
01 - Hold Me
02 - Maybe Tonight
03 - Foolish Lullaby
04 - Spanish Eddie
05 - Forever Young
06 - When I'm with You
07 - I Found Someone
08 - Sanctuary
09 - Tenderness
10 - When the Heat Hits the Streets
Clcik the link below to download the album
http://www.mediafire.com/?jbjt6d09gjdnb
Friday, 4 November 2011
Sheila E - A Love Bizarre
'A Love Bizarre' is a song written by Prince and Sheila E.. The song is a duet between both singers and it appears on Sheila E.'s 1985 album Romance 1600.The song was Sheila E.'s last major hit and her second biggest behind her debut single 'The Glamorous Life'. The song was performed in the film Krush Groove, in which Sheila E. also had a major supporting role.
The song was a major hit, in the US, and reached number 1 in Urban radio airplay & Dance/Club play, number 2 on the U.S. R&B charts and number 11 on the Billboard Hot 100 & Pop radio airplay.
The German 12" single release is backed by the B-Side 'Save The People' that also served as the B-Side for her previous single 'Sister Fate'.
The club scene from Krush Groove in which Sheila E. and her band are performing the song was used for the majority of the music video with a few scenes from the film edited in. The music video uses the song's single edit.
Click the linkk below to download the following:
Video
Single Version
Part 2
Save The People - B-Side
http://www.mediafire.com/?i1saaijiaclq7
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